Mine blasting litigation is heavy, technical subject matter – and the design had to carry that weight without losing the people at the centre of it. Brett’s approach was to let the evidence speak clearly: structured layouts, precise typography, and a visual hierarchy built around the legal and environmental data CER had spent years gathering.
Every design decision was tested against one question: does this help a community member, a journalist, or a judge understand the harm being done? Colour, scale, and composition were used deliberately to draw attention to the communities most affected – not to the litigation process itself.
The result is a body of work that feels urgent without being alarmist, and authoritative without being inaccessible. For an organisation whose credibility depends on being taken seriously in court and in the press, that balance is not incidental – it is the work.